Amos Gitai

11.10.1950, Haifa, Israel

 

Director
Amos Gitai is an Israeli screenwriter, director and producer of feature and documentary films. He was born Amos Weinraub, but in the year of his birth, his family changed their German last name Weinraub to Gitai, which has the same meaning in Hebrew. In his youth he followed in his father’s footsteps and enrolled in architecture school. However, his studies were interrupted by the war on Yom Kippur in 1973. He got drafted and, during helicopter missions he recorded the events (with a Super 8 camera he had received as a birthday present from his mother), which was his first experience with film. On his twenty-third birthday, his helicopter was shot down. He later depicted those events in his feature film Kippour (2000). After the war, he graduated with a degree in architecture from the Israeli Technion University in Haifa. Following that, he earned a doctorate at UC Berkeley in California. From the mid 1970s to the mid 1980s he made many short films and documentaries, such as Bayit (1980) and Yoman Sadeh (1982), in which he questioned the coexistence of Israelis and Palestinians. Both films were rejected by Israeli television, but they were shown at festivals around the world. In 1983, Gitai moved to Paris, where he lived for the next decade, and also traveled around the world making documentaries covering a wide range of topics: from growing pineapples (Ananas, 1984) to musical documentaries Brand New Day (1988) in which he followed Annie Lennox and The Eurythmics during their tour in Japan. In 1986, he directed his first feature film, Esther, borrowing the story from the Old Testament and explaining the Jewish holiday Purim. His next film, Berlin-Yerushalaim (1989), won the Bastone Bianco film critics’ award at the Venice Film Festival. Then he made a trilogy inspired by the Jewish legend of the Golem: Naissance d'un Golem (1991), Golem, l'esprit de l'exil (1992) and Golem, le jardin pétrifié (1993). In 1993, he moved to Haifa and began the most productive period of his career, oriented toward feature films. He made a trilogy about Jewish cities: Zihron Devarim (1995 - Tel Aviv), Yom Yom (1998 - Haifa) and Kadosh (1999 - Jerusalem). In Eden (2001) and Kedma (2002), he dealt with the history of Israel and then returned to the present in his films Alila (2003), Promised Land (2004) and Free Zone (2005). He made the last two in international co-production, as well as his next film, Disengagement (2007), starring Juliette Binoche and Jeanne Moreau. He continued his collaboration with Moreau in Plus tard (2008), in which she has the leading role. His last film is Roses à crédit (2010), a French production made for television.

Filmography

Roses à crédit (TV film) (2010)
La guerre des fils de la lumière contre les fils des ténèbres (2009)
Carmel (2009)
Plus tard (2008)
Disengagement (2007)
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence (2007) (omnibus, dio Le Dibbouk de Haifa)
News from Home/News from House (2006) (dokumentarni)
Free Zone (2005)
Bem-Vindo a São Paulo (2004) (dokumentarni, omnibus)
Promised Land (2004)
Alila (2003)
11'09''01 - September 11 (omnibus, dio Israel) (2002)
Kedma (2002)
Eden (2001)
Kippur (2000)
Zion, Auto-Emancipation (1999) (dokumentarni)
Kadosh (1999)
Yom Yom (1998)
A House in Jerusalem (1998) (dokumentarni)
Tapuz (1998) (dokumentarni)
War and Peace in Vesoul (1997) (dokumentarni)
Zirat Ha'Rezach (1996) (dokumentarni)
Milim (1996)
Zihron Devarim (1995)
The Neo-Fascist Trilogy: II. In the Name of the Duce (1994) (dokumentarni)
The Neo-Fascist Trilogy: III. Queen Mary (1994) (dokumentarni)
The Neo-Fascist Trilogy: I. In the Valley of the Wupper (1994) (dokumentarni)
Te'atron Hahaim (dokumentarni) (1994)
Golem, le jardin pétrifié (1993)
Golem, l'esprit de l'exil (1992)
Wadi 1981-1991 (1992)
Gibellina, Metamorphosis of a Melody (1992)
Naissance d'un Golem (1991)
Berlin-Yerushalaim (1989)
Brand New Day (1988) (dokumentarni)
Esther (1986)
Ananas (1984) (dokumentarni)
Bankok Bahrain (1984)
Regan: Image for Sale (1984)
Yoman Sadeh (1982) (dokumentarni)
American Mythologies (1981) (dokumentarni)
Wadi (1981) (dokumentarni kratkometražni)
Bayit (1980) (dokumentarni)
In Search of Identity (1980) (srednjemetražni)
Bikur Carter B'Israel (1979) (kratkometražni)
Cultural Celebrities (1979) (dokumentarni)
M'Ora'ot Wadi Salib (1979) (kratkometražni)
Architectura (1978 ) (kratkometražni)
Wadi Rushima (1978) (kratkometražni)
Political Myths (1977) (kratkometražni)
Shikun (1977) (kratkometražni)
Charisma (1976) (kratkometražni)
Ahare (1974) (kratkometražni)


Films by this director

Disengagement

(2007.)

Directed by: Amos Gitai
PHOTOGRAPHY: Christian Berger
Synopsis:

In Avignon, Ana, a woman of Dutch and Israeli descent, meets her adopted brother Uli, who is of French and Israeli descent. Even though he lives in Israel, he came to France after learning about their father’s death. They attend the funeral together and at the reading of the will they find out that their father requested she make contact with her abandoned daughter. The only thing Ana knows is that she lives somewhere in the Gaza Strip, so she sets off on a trip to Israel with Uli.

35 mm, color, 115 min

Esther Forever

(1986.)

Directed by: Amos Gitai
PHOTOGRAPHY: Henri Alekan
Synopsis:

This is the story of Esther from the Old Testament, who is behind the Jewish holiday Purim. The Persian king Ahasverus took Esther for his wife after he abandoned his first wife Vashti. Esther does not have a father or a mother and was raised by her uncle Mordecai. Haman, a royal favorite, gets permission from the king to exterminate all the Jews in the kingdom after Mordecai refuses to kneel down before him. Esther, a Jew herself, manages to save her people.

35 mm, color, 97 min

Kippour

(2000.)

Directed by: Amos Gitai
PHOTOGRAPHY: Renato Berta
Synopsis:

This is a war film based on the director’s personal experience as a member of the helicopter rescue team during the war on Yom Kippur in 1973 when Syria and Egypt attacked Sinai and the Golan Heights. The hero of the film is an Israeli student, Weinraub, (the director’s actual last name) who was supposed to join a special military unit at the Golan Heights with his Russian friend shortly after the conflict began. But in the chaos of war, they end up in a medical unit led by Dr. Klausner.

35 mm, color, 117 min

Alila

(2003.)

Directed by: Amos Gitai
PHOTOGRAPHY: Renato Berta
Synopsis:

We follow the lives of several inhabitants of the same apartment building in modern day Tel Aviv. Gabi is having an affair with the older, married Hezi. In order to keep their relationship a secret, Hezi rents an apartment, which draws the attention of some of the building’s other inhabitants. With the help of illegal workers, Ezra builds another wing on the building, but the noise of the construction bothers Schwartz, a Holocaust survivor. Ezra’s former wife Mali lives in the same building with...

35 mm, color, 122 min

Plus tard

(2008.)

Directed by: Amos Gitai
PHOTOGRAPHY: Caroline Champetier
Synopsis:

In modern day Paris, a man in his forties stands in front of the Wall of Names, a monument erected in memory of French Jews who were deported during the Nazi occupation. Deep in thought, he looks at the names of victims written on the wall and remembers that time, now twenty year in the past. Although the Nazi criminal Klaus Barbie is on trial, neither Victor, (busy compiling his family tree), nor his mother Rivka have the strength or inclination to discuss the trial.

35 mm, color, 90 min

Roses à crédit

(2010.)

Directed by: Amos Gitai
PHOTOGRAPHY: Eric Gautier
Synopsis:

Made in France, this film follows the marriage between Marjoline and Daniel. As a happy young couple, they married in the 1940s when France was recovering from WWII. Daniel is an idealist devoted to growing roses and hoping to create a new species. Marjoline is, on the other hand, an enthusiastic materialist who is a model member of their consumer society, every day discovering something new she would like to own.

35 mm, color, 113 min
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