Joon-ik Lee

25.09.1959, Seoul, Korea

 

Director
Director and producer. He initially studied painting at the Sejong University. Due to lack of money, he dropped out of university and got a job as a magazine illustrator. He became the marketing director in the company Seoul Cinema in 1985, designing posters for numerous films. He founded his own production and distribution company CineWorld in 1993 and directed his first film, a family comedy Kid Cop. His next film, historical comedy Hwangsanbul (Once Upon a Time in the Battlefield, 2003), was a success. His next film, historical drama Wang-ui namja (The King and the Clown, 2005) achieved exceptional ratings and earnings, and became his most successful film. Recently he has returned comedies with Ra-dee-o-seu-ta (Radio Star, 2006) and Jeul-geo-woon in-saeng (The Happy Life, 2007), but these films were not so successful. In his drama Nim-eun-meon-go-sae (Sunny, 2008) the story takes place during the Vietnamese war. He goes back to the past in the action film Goo-reu-meul beo-eo-nan dal-cheo-reom (Blades of Blood, 2010) and the war comedy Pyeong-yang-seong (Battlefield Heroes, 2011), a sequel to his previous film Hwangsanbul.

Films by this director

The King and the Clown

(Wang-ui namja, 2005.)

Directed by: Joon-ik Lee
PHOTOGRAPHY: Gil-woong Ji
Synopsis:

The story takes place at the end of the 15th century, during the reign of king Yeonsan. Two street clowns and tightrope walkers perform together with a group of performers. The older and more confident Jang-sang is protective toward the young Gong-gil who imitaates a woman, while their manager pimps him out to rich men. One day, while performing a satire of the king and his concubine, they are arrested for treason.

35 mm, color, 119 min

Wish

(So-won, Južna Koreja, 2013)

Directed by: Joon-ik Lee
Synopsis:

Djevojčicu So-won (u prijevodu Nada) na putu do škole napadne i seksualno napastuje stariji muškarac. Uslijed toga ona pretrpi brojne unutarnje ozljede te bude prisiljena podvrći se složenoj operaciji, a njezina emotivna trauma podjednako je teška i teško će zacijeliti. Njezina dotad sretna obitelj, otac Dong-hoon i majka Mi-hee, prolaze kroz turbulentne osjećaje boli, nemoći i bijesa, a sve će se dodatno zakomplicirati kad So-won odbije vidjeti oca i razgovarati s nj...

color, 122'
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