Jean-Luc Godard

03.12.1930, Paris, France

 

Director
Godard is a French director, screenwriter and critic, one of the pioneers of the French New Wave. During his studies of ethnology, which he started at the Sorbonne in 1949, he met François Truffaut, Claude Chabrol, Jacques Rivette and Eric Rohmer. With Rivette and Rohmer in 1950, he founded the magazine Gazette du cinéma, in which he published articles under the pseudonym Lucas. In 1952, he wrote for Les cahiers du cinéma, but his career as a critic really began in 1956 in the magazine Arts. After his first short film, Operration Beton (Opération béton, 1954), he made four more, and in 1960 in collaboration with Truffaut, he made his first feature film Breathless (A bout de souffle), which made him famous throughout Europe. That same year, he made his film The Little Soldier (Le petit soldat, 1960) which was banned from screening until 1963. During his career, he made about ninety films, of which the most famous are A Woman Is a Woman (Une femme est une femme, 1961), It's My Life (Vivre sa vie: Film en douze tableaux, 1962), Pierrot Goes Wild (Pierrot le fou, 1965), Two or Three Things I Know About Her (2 ou 3 choses que je sais d’elle, 1966), La Chinoise (1967), Week End (1967), Every Man for Himself (Sauve qui peut (la vie), 1980), First Name: Carmen (Prénom: Carmen, 1983), Hail Marie (Je vous salue, Marie, 1983), Détective (1985), New Wave (Nouvelle vague, 1990), In Prasie of Love (Éloge de l’amour, 2001) and Our Music (Nostre musique, 2004).

Filmography

Remerciements de Jean-Luc Godard à son Prix d'honneur du cinéma suisse (2015) (omnibus)
Prix suisse, remerciements, mort ou vif (2015)
Ponts de Sarajevo (2014) (omnibus)
Khan Khanne (2014) (short)
Adieu au langage (2014)
3x3D (2013) (omnibus, segment The Three Disasters)
Film socialisme (2010)
Tribute to Éric Rohmer (2010) (short)
Une catastrophe (2008) (short)
Journal des Réalisateurs de Jean-Luc Godard (2008) (TV, short)
Reportage amateur Maquette expo (2006) (documentary)
Vrai faux passeport (2006) (dokumentary)
Ecce Homo (2006) (short)
Four Short Films (2006) (video, documentary, codirector)
Notre musique (2004)
Prières pour Refusniks (2004) (short)
Moments choisis des histoire(s) du cinéma (2004) (documentary)
Ten Minutes Older: The Cello (2002) (segment
Dans le noir du temps)
Liberty and Homeland (Liberté et patrie, 2002)
In Praise of Love (Éloge de l'amour, 2001)
Origins of the 21st Century (L' origine du XXIeme siecle, 2000)
Histoire(s) du cinéma: La monnaie de l'absolu (1998)
Histoire(s) du cinéma: Le contrôle de l'univers (1998)
Histoire(s) du cinéma: Les signes parmi nous (1998)
Histoire(s) du cinéma: Une vague nouvelle (1998)
The Old Place (1998)
Histoire(s) du cinéma: Fatale beauté (1997)
Histoire(s) du cinéma: Seul le cinéma (1997)
For Ever Mozart (1996)
Twice Fifty Years of French Cinema (Deux fois cinquante ans de cinéma français, 1995)
JLG/JLG - Self/Portrait in December (JLG/JLG - autoportrait de décembre, 1995)
The Kids Play Russian (Les Enfants jouent a la Russie, 1993)
Alas For Me (Hélas pour moi, 1993)
Against Oblivion (Contre l'oubli, 1991) (segment Pour Thomas Wainggai, Indonésie)
Germany Year 90 Nine Zero (Allemagne 90 neuf zéro, 1991)
How Are the Kids? (Comment vont les enfants, 1990) (segment L'enfance de l'art)
New Wave (Nouvelle vague, 1990)
Histoire(s) du cinéma: Toutes les histoires (1989)
Histoire(s) du cinéma: Une histoire seule (1989)
Le Rapport Darty (1989)
The French as Seen by... (Les Français vus par, 1988) (mini TV series) (segment Le dernier mot)
On s'est tous défilé (1988)
The Power of Speech (Puissance de la parole, 1988)
Keep Up Your Right (Soigne ta droite, 1987) (as Monsieur Godard)
Aria (1987) (segment Armide)
King Lear (1987)
Meetin' WA (1986)
Soft and Hard (1986)
Grandeur et décadence (1986) (TV)
Détective (1985)
Hail Marie ('Je vous salue, Marie', 1985)
Série noire (1984) TV Series
Petites notes a propos du film 'Je vous salue, Marie' (1983)
First Name: Carmen (Prénom Carmen, 1983)
Scénario du film a 'Passion' (1982)
Passion (1982)
Lettre a Freddy Buache (1981)
Every Man for Himself (Sauve qui peut (la vie), 1980)
Scénario de 'Sauve qui peut la vie' (1979)
How Is It Going? (Comment ça va?, 1978)
France/tour/detour/deux/enfants (1977) (mini TV series)
Six fois deux/Sur et sous la communication (1977) (mini TV series)
Here and Elsewhere (Ici et ailleurs, 1976)
Number Two (Numéro deux, 1975)
Letter to Jane (1972)
Just Great (Tout va bien, 1972)
One Parallel Movie (One P.M., 1972)
Struggle in Italy (Lotte in Italia, 1971)
Vladimir and Rosa (Vladimir et Rosa, 1970)
East Wind (Le vent d'est, 1970)
British Sounds (1970)
Pravda (1970)
Joy of Learning (Le gai savoir, 1969)
Love and Anger (Amore e rabbia, 1969) (segment L'Amor)
Cinétracts (1968)
A Film Like Any Other (Un film comme les autres, 1968)
Sympathy for the Devil (1968)
Week End (1967)
Far from Vietnam (Loin du Vietnam, 1967) (segment Caméra-oeil)
La Chinoise (1967)
The Oldest Profession in the World (Le plus vieux métier du monde, 1967) (segment Anticipation, ou l'amour en l'an 2000)
Two or Three Things I Know About Her (2 ou 3 choses que je sais d'elle, 1967)
Made in U.S.A. (1966)
Masculine, Feminine: In 15 Acts (Masculin, féminin: 15 faits précis, 1966)
Pierrot Goes Wild (Pierrot le fou, 1965)
Six in Paris (Paris vu par..., 1965) (segment Montparnasse-Levallois)
Alphaville, a Strange Adventure of Lemmy Caution (Alphaville, une étrange aventure de Lemmy Caution, 1965)
Reportage sur Orly (1964)
A Married Woman (Une femme mariée: Suite de fragments d'un film tourné en 1964, 1964)
The Beautiful Swindlers (Les plus belles escroqueries du monde, 1964) (segment Le Grand escroc)
The Outsiders (Bande a part, 1964)
Contempt (Le mépris, 1963)
The Soldiers (Les carabiniers, 1963)
Let's Have a Brainwash (Ro.Go.Pa.G., 1963) (segment Il Nuovo mondo)
The Little Soldier (Le petit soldat, 1963)
It's My Life (Vivre sa vie: Film en douze tableaux, 1962)
The Seven Capital Sins (Les sept péchés capitaux, 1962) (segment La Paresse)
A Woman Is a Woman (Une femme est une femme, 1961)
A Story of Water (Une histoire d'eau, 1961)
Charlotte and Her Jules (Charlotte et son Jules, 1960)
Breathless (A bout de souffle, 1960)
All the Boys Are Called Patrick (Charlotte et Véronique, ou Tous les garçons s'appellent Patrick, 1959)
Une femme coquette (1955)
 Operration Beton (Opération béton, 1954)


Related texts

Film (His)Stories

Godard or film

fošpani Jean-Luca Godarda

Films by this director

Histoire(s) du cinéma

(1989-1998)

Directed by: Jean-Luc Godard
Synopsis:

Film essay divided in two units each with two chapters: 1a Toutes les histoires, 51’ 1b Une histoire seule, 42’ 2a Seul le cinéma, 26’ 2b Fatale beauté 28’ 3a La monnaie de l'absolu, 26’ 3b Une vague nouvelle, 27’ 4a Le contrôle de l'univers, 27’ 4b Les signes parmi nous, 37’ Synopsis: This auteur project by Godard, (he was the director, screenwriter and editor), is about film history. It tackles such themes as the invention of film media, the first use of sound, and the dominatio...

color

Breathless

(A bout de souffle, 1960)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Michel is a young French gangster and rebel on the run from the police. He arrives to Paris and decides to stay with his American girlfriend Patricia. This film’s main characteristic is the new approach: quotes, mixing of genre conventions, interweaving of feature and documentary film elements, editing that does not pay much attention to continuity, the use of a hand-held camera, a hero who directly addresses the camera…

35 mm, b/w, 87 minuta

The Little Soldier

(Le petit soldat, 1960)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

The story takes place during the Algerian war, and the main character is a French contract killer who has to kill a man fighting for an independent Algiers. This film was made in 1960 but was released only in 1963 due to censorship.

b/w, 88 minuta

A Woman Is a Woman

(Une femme est une femme, 1961)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Angela (Anna Karina) is a stripper who desperately wants a child. Her boyfriend does not want to make her wish come true and jokingly tells her to ask his best friend Alfred (Jean-Paul Belmondo)... This is Godard’s first film in color, full of experiments (discontinuity of picture and sound, unexpected changes of rhythm).

color, 85 minuta

It's My Life

(Vivre sa vie: Film en douze tableaux, 1962)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Anna Karina plays a woman who leaves her husband and child in order to become an actress. However, her dream does not come true and she becomes a prostitute. This film is divided into twelve chapters and is a direct hommage to Carl Theodor Dreyer. The main chatacter, Nana, is an hommage to a famous silent era actress Louise Brooks.

b/w, 80 minuta

Contempt

(Le mépris, France, Italy, 1963)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Paul is a young screenwriter who works on the film adaptation of Homer’s Odyssey directed by Fritz Lang. Paul is married to Camille, who blames him for putting his career before their marriage. Fritz Lang plays himself and Godard his assistant. Film has both English and Croatian subtitles!

color, 102'

Band of Outsiders

(Bande a part, 1964)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Arthur and Franz are two friends looking for a way to become rich. Franz meets the beautiful Odile, who mentions that her aunt has lots of hidden money in her house… Critics regard this film as sort of a “suburban western”. The film flirts with gangster films and is an hommage to Howard Hawks.

black and white/color, 97 minuta

Alphaville

(Alphaville Une étrange aventure de Lemmy Caution, 1965.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Alphaville is a city of the future, ruled by an omnipotent computer whose goal is to destroy individuality…

35 mm, b/w, 99 minuta

Pierrot Goes Wild

(Pierrot le fou, France, Italy, 1965)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Pierrot runs away from a boring life and travels from Paris to the Mediterranean. A young woman, Marianne, chased by gangsters, joins Pierrot on his travels. This film is a variation on Godard’s favorite theme of the individual lost in the modern world.

color, 110'

Masculine, Feminine: In 15 Acts

(Masculin, féminin: 15 faits précis, 1966)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Willy Kurant
Synopsis:

This is a story about young people and their interests in life: love, sex, politics and pop culture. Through the story of two young couples, Godard paints a documentary picture of France in the 1960s.

b/w, 103 minute

Far From Vietnam

(Loin du Vietnam, 1967.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Jean Boffety, Denys Clerval, Ghislain Cloquet, Willy Kurant, Alain Levent, Kieu Tham, Bernard Zitzermann
Synopsis:

An anti-war omnibus by six directors (Joris Ivens, William Klein, Claude Lelouch, Agnès Varda, Jean-Luc Godard (segment “Caméra-oeil”) and Alain Resnais ("Claude Ridder" segment), inspired by Chris Marker's ideas and under his direction. Through six different stories, the directors give their views on the Vietnam War while condemning U.S. military intervention. This was an expression of solidarity with the Vietnamese people in their fight against the Ameri...

35 mm, color, 115 min

JLG - JLG

(1996)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Christian Jacquenod, Yves Pouliquen
Synopsis:

This is Godard’s film autobiography, in which he talks about himself, his own place in film history, the state of the film industry and the process of making films.

color, 62 minute

Ime Carmen

(Prénom Carmen, 1983.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard, Jean-Bernard Menoud
Synopsis:

Naslovna junakinja filma je mlada, ali opasna djevojka. Članica je grupe kriminalaca koji planiraju pljačku banke. Jean-Luc Godard pojavljuje se u ulozi Carmeninog ujaka, bolesnog redatelja čija karijera stagnira. Carmen mu slaže kako s prijateljima želi snimiti film te im zbog toga treba njegova kuća. Još jedna žrtva Carmenine laži bit će mladi policajac Joseph, čuvar banke koju njezini prijatelji žele opljačkati.

color, 35 mm, 85 min

Udana žena

(Une femme mariée: Suite de fragments d'un film tourné en 1964, 1964.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Film prati dan u životu udane žene. Charlotte balansira između života sa suprugom Pierreom i njegovim sinom iz prvoga braka te susreta s ljubavnikom, glumcem Robertom. Robert želi da ona napusti muža, ali Charlotte ni sama nije sigurna što zapravo želi. Nakon što se rastane s ljubavnikom, odlazi na aerodrom po supruga i njegova suradnika. Zajedno večeraju. Charlotte provodi vrijeme sa suprugom. Sutra bi trebala donijeti odluku. Kakvu?

35 m, b/w, 95 min

Karabinjeri

(Les carabiniers, 1963.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Dva siromašna i naivna brata iz izmišljene zemlje pristanu boriti se u ratu za svoga kralja. Zauzvrat su im obećana bogatstva zbog čega ih i supruge podrže u odlasku. Zajedno napuštaju domove i prolaze ratišta, uništena, opustošena područja sudjelujući u strahotama rata. Nakon što Ulysses bude ranjen, vraćaju se kući. Od obećanih blaga imaju samo razglednice, priče o doživljenim iskustvima i obećanje da će dobiti nagradu kada rat konačno završi.

35 mm, b/w, 75 min

Dvije ili tri stvari koje znam o njoj

(2 ou 3 choses que je sais d'elle, 1967.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Kroz svakodnevicu mlade Parižanke Juliette Jeanson, Godard se dotiče tema novca, seksa, mode, ljubavi, grada, sporta, politike, rata, jezika, konzumerizma i brojnih drugih. Juliette je mlada majka, supruga i povremeno, da bi zaradila za obitelj, prostitutka. Tako balansira između različitih obveza: od odgajanja djeteta, kupnje namirnica i kućanskih poslova do susreta s klijentima dok je dijete na čuvanju.

35 mm, color, 87 min

Made in USA

(1966.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Zadnja dugometražna suradnja Godarda i Anne Karine u kojoj ona tumači glavnu ulogu. Misteriozna Paula Nelson dolazi u Atlantic City kako bi se našla s ljubavnikom Richardom. On je otvoreni komunist i povezuje ga se s ubojstvom stranog agenta. Paula po dolasku saznaje da je Richard umro te pokušava saznati detalje oko njegove smrti…

35 mm, color, 90 min

Pohvala ljubavi

(Éloge de l'amour, 2001.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Julien Hirsch, Christophe Pollock
Synopsis:

Kombinirajući u tri dijela filma prošlost sa sadašnjošću, Godard se bavi temama povijesti, politike i ljubavi. Glavni protagonist filma je mladi Edgar koji radi na projektu o različitim stadijima ljubavi ne znajući da li da ga uobliči kao operu, dramu ili film. Organizira audiciju, ali ponuđenim nije zadovoljan. Proganja ga pomisao na ženu koju je upoznao prije tri godine i koju želi angažirati. Uz malo napora uspijeva je pronaći...

35 mm, b/w and color, 97 min

Kralj Lear

(King Lear, 1987.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Sophie Maintigneux
Synopsis:

Avangardna dekonstrukcija Shakespearove drame Kralj Lear čiji je središnji lik daleki potomak spomenutog slavnog pisca. On nastoji adaptirati njegovu dramu o vladaru čiji pokušaj da kraljevstvo podijeli trima kćerima dovodi do tragedije. Stvarni se svijet za to vrijeme oporavlja od černobilske katastrofe.

35 mm, color, 90 min

The Three Disasters

(Les trois désastres, 2013.)

Directed by: Jean-Luc Godard
Synopsis:

Filmski omnibus pod nazivom 3x3D u kojem su uz Godarda priče snimili i Peter Greenaway i Edgar Pêra. Snimljen u 3D tehnici, omnibus je rađen po narudžbi za portugalski grad Guimarães u vrijeme kada je proglašen europskim gradom kulture 2012. godine. Godard u Les trois désastres prvi put koristi 3D tehniku, koristeći je maksimalno tako da slaže slojeve slika, tekstova, snimki iz tuđih filmova s vlastitom naracijom.

3D, color, 70 min

Novi svijet

(Le noveau monde, 1962.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Jean Rabier
Synopsis:

Kroz intimnu priču jednog para, snimljenu u vrijeme hladnog rata Godard kritizira nuklearnu prijetnju i apsolutizam svijeta bez slobode. Riječ je o mladića zaljubljenu u djevojku Aleksandru. Nakon što mu kaže da je i ona zaljubljena u njega, on mirno zaspe. Probudi se nakon dva dana i sazna da se nad Parizom dogodila nuklearna eksplozija. Stručnjaci tvrde da na ljude nije imala utjecaja, no on uočava promjene u Aleksandrinu ponašanju. Film je snimljen kao dio omnibusa pod nazivom Ro.Go.Pa.G. u...

35 mm, b/w, 20 min

Anticipacija ili ljubav u godini 2000

(Anticipation, ou l'amour en l'an 2000, 1967.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Pierre Lhomme
Synopsis:

Filmski omnibus Le plus vieux métier du monde tematizira prostituciju od davne prošlosti do zamišljene budućnosti. Priče su snimili Claude Autant-Lara, Mauro Bolognini, Philippe de Broca, Franco Indovina, Michael Pfleghar i Jean-Luc Godard, koji se iz perspektive 1967. godine pozabavio mogućim svijetom u 2000. godini kada na Zemlju stiže Demetrius. Ljudskog je oblika, no stiže s dalekog planeta i traži družicu.

35 mm, color, 20 min

Zbogom jeziku

(Adieu au langage, 2014.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Fabrice Aragno
Synopsis:

Prvi Godardov dugometražni igrani film snimljen u 3D tehnici, u francusko-švicarskoj koprodukciji. Osnovna priča o ljubavnom paru ispričana je u dvije slične verzije, bez pravilna kronološkog slijeda i s Godardu karakterističnim brojnim referencama na umjetnička, filozofska i znanstvena djela. Uz klasične likove poput udane žene, slobodna muškarca i bivšeg supruga, jedan od protagonista filma je i napušteni pas kojeg tumači Godardov Roxy Miéville.

3D, color, 70 min

Broj dva

(Numéro deux, 1975.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: William Lubtchansky
Synopsis:

Podijelivši film u dva dijela, Godard se u prvom izravno obraća publici objašnjavajući što je sve potrebno da bi se snimio film i na koji način je uspio prikupiti novac za njegovu realizaciju. Slijedi analiza francuske obitelji srednje klase, kroz ekonomski, emocionalni, seksualni i poslovni aspekt. Supruga ima poteškoća s probavom o čemu se žali djeci. Suprug saznaje za supruginu nevjeru te je siluje. A kćer to vidi.

35 mm, color, 88 min

Spasi se tko može

(Sauve qui peut (la vie), 1980.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Renato Berta, William Lubtchansky, Jean-Bernard Menoud
Synopsis:

Podijeljen na tri dijela, film se bavi trima glavnim, međusobno povezanim likovima. Denise se muči s nedavno donesenom odlukom da napusti posao na televizijskoj postaji. Tamo radi s Paulom, partnerom i u privatnom životu. Denise obavlja posljednje pripreme za odlazak u švicarsku pokrajinu gdje planira pisati roman. Paul se pak pokušava nositi s Deniseinom odlukom o odlasku i mogućem prekidu njihove veze. Upoznaje prostitutku Isabelle čiji dan dalje pratimo...

35 mm, color, 87 min

Charlotte i Véronique, ili Svi dečki se zovu Patrick

(Charlotte et Véronique, u Tous les garçons s'appellent Patrick, All the Boys Are Called Patrick, 1957.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Michel Latouche
Synopsis:

Studentice Veronique i Charlotte odvojeno sreću istog muškarca. On sa svakom posebno dogovori sastanak slijedeću večer. Ali kad se one obje pojave, on stiže s trećom djevojkom.

digital, b/w, 21 min

Prix suisse, hvala, mrtav ili živ

(Prix suisse, remerciements, mort ou vif, 2015.)

Directed by: Jean-Luc Godard
Synopsis:

U Ženevi je 13. ožujka 2015. godine, na švicarskom filmskom festivalu Jean-Lucu Godardu dodijeljena počasna nagrada za posebna dostignuća kao "vizionarskom filmskom stvaraocu", "virtuozu filmske montaže" čija su "avangardna" djela inspirirala mlađe naraštaje. Godard nije bio na dodjeli zbog zdravstvenih razloga, no kao zahvalu, u svom stilu, snimio je kratkometražni film o kojem je riječ.

digital, color, 5 min

Moć riječi

(La Puissance de la parole, 1988.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Pierre-Alain Besse, Caroline Champetier
Synopsis:

Godardov kratki film za francuski telekom. U kondenziranom montaž‍nom deliriju video slikarstva, glazbe i knjiž‍evnosti, miksajući zvukove Leonarda Cohena, Boba Dylana, Johna Cagea, Césara Francka, Ravela, Straussa, Bacha, Beethovena sa slikarstvom Bacona, Van Gogha, Ernsta - Godard stvara igranofilmsku esejističku poemu koja istodobno slavi moć novih riječi i kao njezina “prva strofa” najavljuje kozmičku katastrofu.

digital, color, 25 min

Amaterska reportaž‍a Maquette expo

(Reportage amateur, 2006.)

Directed by: Jean-Luc Godard
Synopsis:

U filmskom eseju kojeg je naručio muzej moderne umjetnosti u New Yorku Jean-Luc Godard i Anne-Marie Miéville iznose razmišljanja o ulozi primijenjenih umjetnosti na kraju dvadesetog stoljeća. Godard je zamislio instalaciju Collage(s) de France za Centar Pompidou, ambicioznu "arheologiju filma", koja je realizirana samo kao maketa u sklopu izlo‍žbe Voyage(s) en utopie 2006. godine.

digital, color, 47 min

Odabrani trenuci iz povijesti filma

(Moments choisis des histoire(s) du cinéma, 2004.)

Directed by: Jean-Luc Godard
Synopsis:

Istovremeno i esej o filmu, umjetnosti i povijesti, ali i Godardov autoportret, montiran 2004. godine kao svojevrsna suma najboljih dijelova ranije snimljene serije Histoire(s) du cinéma od 1988. do 1998. godine.

digital, color, 84 min

Jedan plus jedan

(One Plus One/Sympathy for the Devil, 1968.)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Anthony B. Richmond
Synopsis:

Film je Godardov zapis o zapadnjačkoj kulturi kasnih šezdesetih godina prošloga stoljeća. Sastavljen je od naizgled nepovezanih fragmenata: bolivijski revolucionar koji se krije u londonskom muškom toaletu, grupa Rolling Stones na probi pjesme „Sympathy for the Devil”, militantni članovi crnačkog pokreta Crne pantere, čovjek koji čita „Mein Kampf” u porno-šopu u Sohou,…

35mm, color, 99 min

Week End

(France, 1967)

Directed by: Jean-Luc Godard
PHOTOGRAPHY: Raoul Coutard
Synopsis:

Roland and Corinne Durand are a bourgeois married couple. He has a lover and she has a lover, and both plot against each other with the intention of killing the other. They set off on a trip to the countryside, towards Corinne's parents' house, to claim her dying father's life insurance, ready to kill her father if necessary. The road turns into picturesque chaos - first they come across a kilometer-long traffic jam due to a traffic accident, and after they manage to find a detour, t...

color, 97'
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